7 ’80s movies that deserve a’ Cobra Kai ‘style continuation
Cobra Kai has flown like an eagle in Netflix’s Top 10 list over and over again. Its success is made even more impressive by the fact that it is a franchise that peaked in popularity almost forty years ago, as well as its launch in an era saturated with nostalgia and reboots. On paper, it seemed like this series could easily get lost in the noise. Again, Cobra Kai never Dies and he fought to get back into pop culture domination!
Often times, reboots and resumes appear to the public as seizures of money, but Cobra Kai has a lot of heart and you can tell everyone involved loves what they create. The show’s nostalgia attracts old fans while still being easily accessible to newcomers. This awe-inspiring feat produced a hilarious, heartfelt, and action-packed show that appeals to generations of viewers. Although almost everything has been rebooted, there are still films from the 80s that could see a successful revival in the Cobra Kai style.
This classic Steven spielberg The film depicts a boy named Elliott befriending an alien botanist who was left behind when government agents nearly captured his crew. The alien is named ET and establishes a friendship with Elliott that turns into a deep telepathic bond. As government agents attempt to capture ET, Elliott saves his life and helps him return home.
It’s hard to imagine that Elliott could live a normal life after these experiences. Henri thomas could reprise the role of Elliott who built a career trying to make contact with his childhood friend. Shows in which humans have to defend themselves against violent aliens are a dime a dozen, but it would be interesting to see a human fight for acceptance and oppose fear as he struggles to build bridges between two worlds.
Fighting spirit (1982)
Steven Spielberg wrote this story, but he was linked to the filming HEY, so he picked a legendary horror filmmaker, Tobe Hooper, to lead. The two cinema icons gave birth to one of the greatest horror films ever made. Illustrate the way hauntings draw on subconscious fears, Fighting spirit lives in pop culture every time someone gives the warning, “Don’t go into the light!” “
The walking dead demonstrated the ability of horror shows to bring together large audiences while american horror story prepared audiences for seasonal anthologies with varying degrees of connectivity. Fighting spirit could live on in the anthology format, exploring a new haunt every season. It could also be a great place for modern filmmakers to collaborate in the spirit of Spielberg’s original team with Hooper.
Ferris Bueller’s day off (1986)
This iconic John Hugues movie follows the cool and laid back Ferris Bueller (Matthew Broderick) when he decides to interrupt classes and take a day off. He takes his girlfriend, Sloane (Mia Sara), and his tense best friend, Cameron (Alain ruck), going on an adventure while his sister and director try to catch him. The film is a work of art demonstrating the need to find wonder and joy in the simple things in life.
A wake-up call might find an older Cameron struggling on a daily basis when his old friend Ferris comes into his life. Bueller’s carefree collision with his anxious friend could provide plenty of fun moments as well as much-needed reminders in an age of endless work. Everyone needs the occasional nudge to remember, “Life moves fast enough. If you don’t stop and look around every now and then, you might miss it.
The thing (1982)
Jean CharpentierThe classic sci-fi horror film tells the story of a group of researchers in Antarctica who encounter an alien parasite. This “thing” can consume other organisms and then mimic them, which means that anyone could in fact be the thing. Paranoia grows and tension mounts until the film’s iconic ending. MacReady, played by Kurt russel, and Childs, played by Keith david, share a bottle of scotch in the Antarctic night near their burning research station with no details on which of them the Thing is.
What if they weren’t to freeze to death? Their survival and rescue could open a paranoia-provoking miniseries in which the Thing was rescued from Antarctica, but you don’t know who is really responsible for transporting it to civilization. The original film’s exploration of the destructive power of mistrust is a topic that still deserves consideration today.
The last star hunter (1984)
This space opera tells the story of Alex Rogan (Launch guest), a teenager who feels stuck in the trailer park where he grew up. He excels in an arcade game called “Starfighter” and one day his performance earns him a visit from the game’s creator. The arcade game turns out to be a recruiting program to identify talented fighter pilots who can help out. defend the border against evil invaders. Alex initially rejects the call to join the Star League, but ends up undergoing training and saves the day.
The escape the game offers from a life that lacks adventure resonates with people even more decades later. This is especially true now that a good performance can really attract recruiters and change the course of your life. A reminder to add real adventure to your digital adventures might be appropriate. The film ended with Alex preparing to help rebuild Star League. A show could easily resume as the rebuilt Star League finally sees the day of Xur’s vengeance.
After police officer Alex Murphy (Peter Weller) is murdered, a company uses his body to build Robocop. He is destined to have no memory so that he can enforce the law with brutal efficiency beyond standard humans. However, Murphy’s memories begin to resurface, causing him to function with more freedom than society had expected. The movie grapples with Murphy’s humanity and the power we really have to hold everyone accountable.
Concerns about corporations wielding too much power, corruption and the pursuit of justice continue to resonate. If you haven’t seen Robocop, it’s easy to get it wrong like just another action movie from the 80s. A revival of the Robocop world could explore those deeper themes that people continue to grapple with.
The breakfast club (1985)
This powerful coming-of-age film by John Hughes centered around five teenage boys stranded in custody on Saturdays. They clash first because they each belong to a different clique, but during the day they start to bond. The film explores the pressures teens face from their peers, the struggle to be true to themselves, and the disconnect between teens and adults. Hughes’ brilliance as a filmmaker is fully visible in The breakfast club. He remembered the struggles of his teenage years and was able to capture them in a deeply impactful way. Watching this movie in adolescence and adulthood are different experiences, highlighting how adults tend to forget how difficult these years can be.
This film should not be remade. However, continuing the stories of these characters could be an amazing experience if the original actors (Emilio Estevez, Anthony Michael Hall, Judd Nelson, Molly Ringwald, and Ally Sheedy) were ready to resume their roles. Hughes envisioned a The breakfast club to restart before his death. The disconnect between adults could be explored more deeply by watching each of these characters go through the same struggles with their own children. It could touch that Cobra Kai Balance the act of appealing to multiple generations while helping people learn to communicate better with each other.
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